Thanks, Phil. (Again!)
A 44t gear would be great. Edo already has a hinge in the post for me.
I checked through your FutureKingieThingie yesterday and I can't find anything obviously amiss. The rear suspension is still locked solid and there's only a tiny amount of drop in your hinge. I put the two unused threaded axles into your car's box as spares and you're now officially cleared for travel.
Some of the racers last Saturday were interested in the subtle movements built into Scorpion's chassis. The motor bracket and the front end can move independently of each other and of the rest of the chassis. I had to double check to see if this is what Mike intended and ... indeed it is.
Clever man, that Z.

Speaking of Scorpions, Miss K appears to have taken an interest in Arachnology. She likes them!

When I opened up Roadkill's box I was surprised, yet somehow strangely unsurprised, to find that it had received a North London Kiss.
Out with the body armour and reinforcing tape yet again.



I trimmed about a 1/16th of an inch of uneven braid wear from Oscar's braids. I see that there are two pairs of braids in his spares collection as well. If you'd prefer totally new braids, just let me know, Oscar.

When I took Orange Crate over to the famous pedestrian crossing on Abbey Road, I also took H-Power and the Cotton Whatsits and Scorpion, after I'd finally prised it from Miss K's warm grasp.


For anyone who is unaware, this is the crossing featured on the cover of the Beatle's final album Abbey Road. As an aside, the exact angle of the album cover photograph is almost impossible to duplicate. The photographer has said that it was shot early on a Sunday morning and he erected a step ladder right on the road to find the right vantage point. It's a very busy thoroughfare at most other times, as can be seen from the amount of traffic in the background.
I was surprised to see that it still retains it's allure for sightseers. There were about two dozen of them striding backwards and forwards over the crossing and taking photos, much to the frustration of some drivers.
The reason this crossing was chosen is that the EMI Abbey Road studios are right beside it. The perimeter wall is still coated in graffiti 43 years after The Beatles broke up.

And more of it going up as I passed.

Here's the building itself.



Her message is kinda sweet really, and I told her so.

In addition to the cars already mentioned, Barney's Crate has no issues at all and Scorpion is the same. Dyna Rigg is perfectly fine too but John has requested a signature by Legendary Bob on the bodywork. It may be a week or two before I see him again (Bob's getting interested in 'retro' racing with us and I have a JK CanAm kit to give him as an added thank you for helping us out), so I'll be holding on to Dyna for a short while longer.
I'll get John Havlicek's car in the mail to him tomorrow.
I'm awaiting instructions on Gary's Rocket 88, Mopar Rob's Streamliner Cuc and Pablo's Mabuchi-racha?
Pablo you must have missed it earlier, your orange 'stock' motor let out the smoke during first tests on the Wednesday before the race. I put your spare 'hot' motor in at the track and all seemed well ... until race day.
I have postal service-friendly boxes here and I propose to mail the cars with no problems to Brian as soon as I've completed my post-race checks. Those needing a little work from me will go separately when that work is done. Brian says he is looking at a late March race date due to the heavy commitments of his local drivers with other race meetings like the R4/5 in mid-March. That should leave sufficient time for all the cars to get to him.
Back to the bench,